"If I Had Legs I'd Kick You" premiered at Sundance 2025. The brutal film, starring Rose Byrne, features Conan O'Brien shifting into a dramatic role.

Bronstein, a bit of a cult figure in the film world, made her directorial debut in 2008 at the SXSW festival with “Yeast,” which featured a pre-fame Greta Gerwig and was hailed by by New Yorker critic Richard Brody as a “mumblecore classic.”

Mary Bronstein's 'If I Had Legs I'd Kick You' wowed the Sundance Film Festival with an all-time Rose Byrne performance.

What will surely go down as one the most stressful movies of the year is “If I Had Legs I’d Kick You,” which premiered Friday at the Sundance Film Festival.

Sundance: Rose Byrne and Conan O'Brien star in Mary Bronstein's surreal freak-out of a movie about the anxieties of contemporary motherhood.

Mary Bronstein's If I Had Legs, I'd Kick You, is an unrelenting, overwhelming drama about how motherhood can be a nightmare.

Rose Byrne attended the 2025 Sundance Film Festival presented by Casamigos yesterday in Park City, Utah. The thespian was there to promote her new psychological thriller "If I Had Legs I'd Kick You." The "Bridesmaids" star was winter ready in a pair of knee-high black booties.

Conan O’Brien, Danielle Macdonald and A$AP Rocky also star in Mary Bronstein’s feverish dark comedy thriller about parenting in extremis and existential black holes.

Director Mary Bronstein casts 'Damages' star Rose Byrne as a woman overwhelmed by life in an alternately exhilarating and maddening Safdie-like indie.

In the wildfires' long shadow, A-listers descend on the annual film fest with renewed purpose and cautious optimism The post Sundance 2025: Conan O’Brien, Juliette Lewis, Steven Yeun and More Hit Park City | Photos appeared first on TheWrap.

Conan O'Brien attends the premiere of "If I Had Legs ... “If I had Legs I'd Kick You,” which also stars Rose Byrne.

Contrary to its title, everyone in If I Had Legs I’d Kick You has their appendages. Rose Byrne’s protagonist, however, does have a wealth of problems and neuroses, and writer/director Mary Bronstein dives into her headspace with a full-bore intensity and immediacy that’s bracing at first,