Resurrection' contains one of director Bi Gan's signature long takes — lasting 30 minutes — but the movie is also a euphoric, ...

The Chinese director Bi Gan, who has become a lauded fixture on the festival circuit, conjures a boundary-pushing tale that ...

Chinese director Bi tells IndieWire about outdoing even his long-take sequences in "Long Day's Journey Into Night" and "Kaili ...

The logic of dreams Bi Gan’s “Resurrection” (film review) by Bondo Wyszpolski There are movies, which entertain, and then ...

Some filmmakers speak with great ease about the intentions behind their work. Others find it torturous, believing that the expression on the screen is their fullest and truest form of communication.

The former can feel interminable and endless, the sensation of enduring a cinematic kind of solitary confinement, the filmgoer trapped in the laziest and most selfish recesses of a director’s mind.

Do you remember when we used to watch movies with the undivided attention we give to our dreams? Bi Gan, the Chinese director behind 2018's "Long Day's Journey Into Night" sure does. And so, seven ...

The final segment of Resurrection plays out in a single, unbroken take that lasts a full half-hour, wending its way through a ...

Chinese auteur Bi Gan is back at Cannes with competition title “Resurrection,” a six-part fever dream where a movie monster drifts through China’s 100-year history. “I structured this monster’s soul ...