The former can feel interminable and endless, the sensation of enduring a cinematic kind of solitary confinement, the filmgoer trapped in the laziest and most selfish recesses of a director’s mind.

Chinese auteur Bi Gan is back at Cannes with competition title “Resurrection,” a six-part fever dream where a movie monster drifts through China’s 100-year history. “I structured this monster’s soul ...

Watching Bi Gan’s “Resurrection” is like being trapped in a dream machine that, in one room, plays “Twin Peaks: The Return” Episode 3 on a loop, and in the other plays a marathon of the entire history ...

Do you remember when we used to watch movies with the undivided attention we give to our dreams? Bi Gan, the Chinese director behind 2018's "Long Day's Journey Into Night" sure does. And so, seven ...

Indeed, "Resurrection" condenses that bleary and bewildered experience into one virtuosic package. Viewers can stumble through more than a century of wildly disparate film iconography remixed and ...

From its opening moments, Chinese director Bi Gan’s latest film Resurrection feels like something made outside of time. Employing a silent film aesthetic, with skipped frames, slightly askew framing, ...

Starring Shu Qi and Jackson Yee, Bi Gan's meditative cinematic odyssey beat out anime blockbuster 'Demon Slayer: Infinity Castle' to win the weekend at China's box office.