In San Francisco, some of the world’s most expensive real estate is sinking into the ground. When and if this apocalyptic scenario occurs, the arts collective Postcommodity will be ready with a ...

Postcommodity Centers Optimism and Indigenous Philosophies in a New Site-Specific Installation In their latest site-specific project, the collective probes histories of migration in a pan-American ...

Postcommodity’s “Repellent Fence” (2015), as seen in Sam Wainwright Douglas’s Through the Repellent Fence: A Land Art Film (2017) (photo by Michael Lundgren, courtesy of Postcommodity) I spoke to ...

Antlers rattle and collide, animal calls boom over loudspeakers in a crowded art space, geometric projects spin and twist and evolve on the floor, and somewhere within the chaos, music is made.

The multidisciplinary collective Postcommodity made up of Native American and indigenous artists Raven Chacon, Cristóbal Martínez, Kade L. Twist, and Nathan Young formed in 2006 to boost the signal of ...

For the interdisciplinary art collective Postcommodity, the story of America is one of Indigenous people, whose voices are often obscured or silenced by politics and reductive cultural studies of the ...

Having only known the multimedia indigenous art trio Postcommodity for their visual art work, and specifically their recent exhibition at Artists Space and piece A Very Long Line at The Whitney ...

Forbes contributors publish independent expert analyses and insights. Brienne Walsh is a Savannah-based reporter who covers art and culture. “The border is like a shocking mega complex – it’s creating ...

In Sam Wainwright Douglas’s new documentary, Through the Repellent Fence: A Land Art Film, the theoretical divide between wall and border proves to be more than the stuff of geopolitical debate, ...

Though it was announced in September that structural renovations estimated to cost over $100 million were approved to shore up San Francisco’s Millennium Tower, the 58-story building continues to sink ...